Tuesday, June 13, 2017

Betty MacDonald, Hilary Knight and a Twitter finger



Betty MacDonald in the living room at Vashon on the cover of The Saturday Evening Post.
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Pippi, you're the best. 











































Hello 'Pussy' it's Mrs. Piggle-Wiggle and Pippi Longstocking: 

Last month’s appointment of Robert S. Mueller III as a special counsel to investigate possible collusion between your campaign and Russia enraged you. Yet, at least initially, you holstered your Twitter finger and publicly said nothing - but...........


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Betty MacDonald fan club fans,

We adore the wonderful illustrations in Betty MacDonald's Mrs. Piggle-Wiggle, Mrs. Piggle-Wiggle's magic and Hello, Mrs. Piggle-Wiggle by Hilary Knight.

Hilary Knight is an outstanding artist.

Hilary Knight (born November 1, 1926) is an American writer and artist. He is the illustrator of more than 50 books and the author of nine books. He is best known as the illustrator of Kay Thompson's Eloise (1955) and others in the Eloise series.

Now for the first time, Hilary Knight’s stage-struck life is the subject of a comprehensive exhibition that includes original artwork for posters; theatrical illustrations for Vanity Fair magazine (where Knight is a contributing editor); Knight’s most recent work — three-dimensional portraits in stage-like settings — and costume and set designs for performances and revues that reveal that for Hilary Knight, all the world is indeed a stage. 

Don't miss very this interesting exhibit, please.

Take care,

Martina

 

Hilary Knight’s Stage Struck World

Hilary Knight was born stage-struck, ninety years ago. Best known as the illustrator of the American classic Eloise, he cites the performing arts as the single greatest influence on his life and career.
As a child, Knight was fascinated by the circus and could not get enough of Broadway. His artist parents introduced him to musicals with Jumbo in 1935. His early theatrical influences were Ethel Merman in Red, Hot and Blue; Gertrude Lawrence in Lady in the Dark; and the sensational Carmen Miranda in The Streets of Paris. The movies were another source of inspiration and obsession. Designer Adrian’s extravagant costumes for The Great Ziegfeld (1936) mesmerized him; child star Sabu in Elephant Boy (1937) became a hero.
After studying at the Art Students' League with Reginald Marsh, and then a stint in the US Navy in World War II, Knight designed sets under the exacting eye of the legendary George Abbott at the Ogunquit Playhouse in Maine. Eloise became a national and international bestseller in the 1950's, and Knight's children's book career took off with titles such as Where's Wallace, and The Circus is Coming! Yet his work in the theater continued with iconic Broadway posters, including No, No, Nanette, Irene, Half a Sixpence, and the burlesque musical Sugar Babies, starring Mickey Rooney and Ann Miller, among many others.
Now for the first time, Hilary Knight’s stage-struck life is the subject of a comprehensive exhibition that includes original artwork for posters; theatrical illustrations for Vanity Fair magazine (where Knight is a contributing editor); Knight’s most recent work — three-dimensional portraits in stage-like settings — and costume and set designs for performances and revues that reveal that for Hilary Knight, all the world is indeed a stage.

Learn more

Made possible by the generous support of Terry Allen Kramer.